" The dead are lucky, it's over for them."
Excerpt from a letter home in April 1943, Erwin Rommel
This was done on illustration board with acrylics, coloured pencils, synchromatic dyes and a little pastel. It is about one foot square, another piece done in 1:1 scale, an attempt to add to it's realism.
Some time back I painted a series of coffee cups. With some of them I had some fun and wove a bit of my passion for history into them. This one depicts a last coffee enjoyed by Rommel in North Africa, end of May, 1943. Rommel had coffee every morning, wrote his wife Lu a letter and studied the war situatuion. The details on the map, noting his enemies positions, his petroleum stores and consumption rates and likely options for retreat, reveal the unenviable circumstances he and his charges found themselves in at the end of the Afrikan Korp's campaign.
A Q-tip and the pastel was used to create the steam spiralling up from the cup. Sandpaper was employed to imitate the wood grain atop of the ammunition crate.
Many time I'll look at a painting like this and wonder to myself why one earth anyone would expend so much energy and spend so much time, just to capture a moment like this--still lifes puzzle me.
But this one is quite great. The angle is different than what you normally see, and the little bits of obvious history make it interesting. I mean, there's so many little details hidden in there--the innitials on the saucer, the swastika on the map--one could look for a bit without tiring. Fantastic.
My only criticism: the lip on the northernmost edge of the saucer seems a bit overexaggerated.
Thanks for your thoughts. I'm not huge still-lifes either but my love of coffee/cups and history superceded my thing for still life. I agree about the lip. There's something a little funky going on with the shape there. Surprisingly I hadn't caught it. Luckily for me, the original sold to a history buff within two of days of completion so I didn't have my usual "mull over it and pick it apart session". But even if I had, it would be tough to fix. This was done with transparent paints (once again), and the only fix is starting over, like with watercolour, once something's down there's no going back. I'm gonna pretend the folks at the porcelein works in Dresden were having a bad day when they turned out this one. Thanks again, Keep in touch. DDK
I don't know how you do this kind of thing, quite... as always the work is amazing, and the details are overcomingly beautiful.
And you like history? I like history as well. Just something about it that's there, I don't know why. Because of the meaning behind this piece, and the fact that you made it about one of your favorite moments in history makes it even better in my eyes.
And now I'm off ot research who Erwin Rommel is to satisfy my curiousity.
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Anything written like this: -This too, will pass.- or
-blahblah.- should be concidered a big compliment. It's a little tidbit on what your art made me think. Part of a story that exists no where but in your art.
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Comments
But this one is quite great. The angle is different than what you normally see, and the little bits of obvious history make it interesting. I mean, there's so many little details hidden in there--the innitials on the saucer, the swastika on the map--one could look for a bit without tiring. Fantastic.
My only criticism: the lip on the northernmost edge of the saucer seems a bit overexaggerated.
Great painting.
I don't know how you do this kind of thing, quite... as always the work is amazing, and the details are overcomingly beautiful.
And you like history? I like history as well. Just something about it that's there, I don't know why. Because of the meaning behind this piece, and the fact that you made it about one of your favorite moments in history makes it even better in my eyes.
And now I'm off ot research who Erwin Rommel is to satisfy my curiousity.
--
Anything written like this: -This too, will pass.- or
-blahblah.- should be concidered a big compliment. It's a little tidbit on what your art made me think. Part of a story that exists no where but in your art.
-The World Is Quiet Here-
-Fire!-
-Ve
Dave Gold
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contemporary, narrative, compulsive painter
More people need to appreciate the details in this. Nicely done man,
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design brings food to the table; art feeds the soul
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What's normal any way ?
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Seven times down and eight times up is the art of living
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